Since their 2006 eponymous debut, things haven’t changed much for Beach House. They still peddle in immense amounts of reverb, elementary drum machines, Alex Scally’s trilling guitars, and Victoria Legrand’s soaring vocals. But why should it change? Artistic “growth” is overrated when you create beautiful work. AC/DC managed to keep the hits coming until the early Eighties without changing any of its elements. On the other hand, bands like Interpol keep mixing up the beans, cheese, and meat of its music to diminishing results.
Thankfully, Beach House’s “Bloom” fits into the AC/DC mold. The band grows a little by stripping away some of the haze away from the vocals, improving production, and turning up the guitars. But this is more tinkering of the Beach House RV, rather than a new engine or even a different muffler.
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