On their seventh album (and first in five years) The Hold Steady isn’t so much “We’re BACK mother****ers!” as they are “Alright. Alright. Alllllright”-ing their way back into our hearts.
Thrashing Thru The Passion finds the band sporting a slightly looser and expanded sound (horns!) and songwriter Craig Finn’s druggy, party-filled universe, a little older, a little beat down, but no less full of life. Join us as we dig into all of the good, bad, and magical highs found on the “return” of one of America’s most celebrated bands.
On her third album and major label debut, Cuz I Love You, songwriter, multi-instrumentalist and liver of her best life Melissa Viviane Jefferson aka LIZZO is doubling down on the Prince vibes and in the process may be making the world a better place for us all. On this episode of Discologist special guest Philip Basnight joins us to discuss what makes a perfect pop album, the power of positivity, and why it’s Lizzo’s world now, we’re just lucky to be living in it.
Van Halen’s 5150 was a turning point for the legendary party rockers for more than one reason. The replacing of original front man David Lee Roth with rocker Sammy Hagar was what was driving headlines, but the real news was in the music. Revved up, radio-friendly, and raring to go, this “new” Van Halen supplemented often questionable machismo with synths, honest-to-god pop hooks, and, most radically: Feelings.
Washington Post Pop Critic Chris Richards and Broke Royals’ Philip Basnight are joining us as we reconsider one of the most divisive albums of Van Halen’s career, reveal it’s secrets, and more.
This, dear listener, is what dreams are made of.
HYPE has always been a part of the music/entertainment industry, but in 2018, have we gone too far? Increasingly, it's not enough anymore that an artist delivers a few great hooks. To succeed they have to be the greatest of all time, the savior of the music industry, or, even worse, the voice of a generation, all often without even having a single album under their belts.
On our latest episode, our friends Philip Basnight (Broke Royals) and Rafa (Rafa's One Man Band, Saduardo's actual brother) are joining us for a frank discussion about how we consume, market, share, and celebrate music in the modern era.
Sheffield, England-based band The Sherlocks are one of the latest indie bands to make their way here from the UK, but they’ve already got a bit of history behind them. Consisting of two sets of brothers – Kiaran and Brandon Crook, and Josh and Andy Davidson – the foursome started when they were just teens, playing covers in bars and slowly working on their own material. By 2015, they were playing at the Reading and Leeds Festivals and getting singles aired on BBC Radio 1. Drawing comparisons to their fellow Sheffielders The Arctic Monkeys for their quick rise in fame, and to The Courteeners for their sound, the band has come a long way in a short time. Now they’ve set their sights on America, and on Monday they played to a small but enthusiastic crowd at DC9.
Known to most of the world as a political playground, Washington, D.C. is a city where decisions that shape the course of, not just American, but HUMAN history, are made every day. More than that though, D.C. is a city where cultures collide resulting in a creative class that produces some of the most compelling and diverse art in the world. Built on the legacy of jazz and go-go, D.C. is on the cusp of a creative explosion and bringing everything from hip-hop to indie rock into the fold.
On our latest podcast, we're kicking off a twelve-part series exploring the sounds of our home, where they come from, and where they may be going. Joining us for this inaugural installment of Sounds Of Washington, D.C. are Hometown Sounds host Paul Vodra, and Philip Basnight, one-half of D.C. folk-pop powerhouses Broke Royals.