Wavves

"Up and Down" - Wavves and Culture Abuse

"Up and Down" - Wavves and Culture Abuse

Sounds Like:

Driving to the beach, sand (somehow) already between your toes.

Why You Should Care:

Wavves emerged onto the indie scene in 2008, just as pop-punk had returned to its favored noisy and apathetic roots. Since then, Nathan Williams’ band has done an excellent job combining his natural punk feel with the dreamy undertones of current alternative music.

Here, Wavves collaborates with a somewhat newer punk band, Culture Abuse, whose sound could easily be mistaken for Wavves, if not for the cadence and thick baritone voice of frontman David Kelling. Keller and Williams complement each other well vocally, singing the low and high vocal parts on this (rather short) slacker anthem.

A steady, no-frills, flat-out California rock tune the Lords of Dogtown might head-bang to, you can hear "Up and Down," and more, live as Wavves embarks on a late-2017 tour of the U.S. with Joyce Manor opening — along with Culture Abuse, at select venues.


Best of 2013 (So Far): Thor's Picks

10. The Front Bottoms  - Talon Of The Hawk

This is something I was shocked I liked, usually the ingredients of rambled lyrics, pop punk guitars (especially acoustic ones) and horns in an indie context and a fan base with an extreme amount of 13 year olds would make me cringe, but something about the likability of this New Jersey rock and roll band has me coming back for more. Their live shows will soon be infamous for their energy, and their lyrics speak to the 13 year old in us we didn’t know still existed.

 

9. Toro Y Moi - Anything In Return

Toro Y Moi has slowly but surely been finding his niche in the music world. As one of the forerunners of the genre known as “chillwave” he has gracefully moved on from the buzzed genre to becoming a solid electronic pop artist that understands the importance and smoothness of ‘80s artists like Hall and Oates  and comes out the end with a more and more refined sound.

 

8. The Men - New Moon

The Men have been shifting and morphing ever since they started on 2011’s Leaving Home. Starting out as a noise ridden punk band the Brooklyn rock band has evolved to something much more mature and on their latest they retain the energy of their live shows but crash land in Neil Young/Crazy Horse mode. They didn’t sell out and go soft, they just went somewhere else, and I can’t wait to see how this bands discography looks in five years from now.