Last June, Toronto musician MorMor (aka Seth Nyquist) released his debut EP, the self-written, self-produced Heaven’s Only Wishful. At a packed Songbyrd in DC, he played nearly, if not all, of his released discography and more.
Eighteen months since their last show in the U.S. Capital, the boys of Bad Suns made their long-awaited return to Washington D.C. to play a sold-out show at the 9:30 Club.
Three-time Latin Grammy winner Vicente Garcia returned to the DMV with songs from his upcoming third album Candela in tow. At his Fillmore Silver Spring show, he explained how this project is a return to his Dominican roots and that it explores the traditional music of his motherland. He’s received lots of musical accolades for a good reason - the beauty of his music lies in the blend between the sophistication and complexity of his compositions and the delicacy of his lyrics.
"I don't like talking loudly, it hurts my voice," Duffy proclaimed shortly after the start of her set. Instead, she let her guitar and loop pedal do the talking at her packed-out Songbyrd show.
Luz Mendoza dedicated Y La Bamba’s DC show at Songbyrd to her late abuelita in an Instagram post that read, “Your heart and love shines through our blood.” Known for an indie-folk sound heavily influenced by pride in her Mexican heritage, Y La Bamba’s performance highlighted the expanding diversity of Mendoza’s skills as a songwriter and performer; from a Latin dancehall groove on “Boca Llena” to shimmering dream pop on “Cuatro Crazy” to an emotional solo performance of “Ojos Del Sol” to a percussive, rousing vocal chant on “Mujeres.”
In anticipation of her third record Designer, Harding’s setlist comprised mostly of the as-of-yet unreleased album. And the DC9 crowd was utterly silent and captivated through it all.
The captivating José González brought the Berlin and Gothenburg-based String Theory, an experimental chamber orchestra, to turn his prolific musical output into an unforgettable experience at the Lincoln Theatre.
Robert Ellis, once regarded as a canny Texas troubadour in Country and winsome rock, has adopted a fully formed persona in his current record as the “Texas Piano Man,” resplendent in an all-white tuxedo tinkling the ivories. He and his four-piece band, dressed stoically in all black suits, took their Texas Piano Man tour to the packed basement of the Songbyrd Music House and Record Café.
“We finally fucking sold it out!” Tom McFarland yells halfway through Jungle’s groove-filled set in DC on Thursday night. And with good reason. Despite a chilly and drizzly night in DC, Jungle transformed 9:30 Club into a heated and hazy 70’s club.
Lucy Dacus’s Black Cat performance (and her US tour closer) was an impressive display as her parents and family watched from the side of the stage. And what better way to end a tour than that?
The meteoric rise of Maggie Rogers can’t be ignored. Once again, she danced her way into people’s hearts on night two of her sold-out two-night run at 9:30 Club.
The day after the conclusion of SXSW (and hot off some rave reviews), Japanese dance-punk band CHAI once again hopped on a plane to officially kick off their US tour at Union Stage in DC.
Among all the dumped dockless scooters, food trucks, and people on hoverboards holding boa constrictors (yes, really), Austin once again hosted countless numbers of great up-and-coming artists alongside established acts for SXSW 2019. Who were some of our favorites? Only one way to find out.
Delivering what could best be described as an intergalactic dance party, this particular comet crashed into a nearly sold out room delivered not destruction, but ascension for the duration of their sixty-minute set.
The duo of vocalist Ed Schrader and bassist Devlin Rice could be described as offbeat, ridiculous garage punk. Their songs can be simultaneously explosive, contemplative, realist, and absurd. It’s never been easy to pin this group down.
Singer and songwriter Clarence Greenwood was born in Memphis and raised in Washington, DC where he broke out of the local music scene as Citizen Cope in 2002. Just two days after releasing his first album in seven years, his hometown fans were ready to sing along to every song.